TABLE OF CONTENTS
----Scroll down for Blog posts----
The links will take you to the first post of each section. To continue with the next post in the same section, select "Newer Post" on the bottom left.
Introduction May 2007 -- Posts 1 - 11
Music in Year One -- Some Examples
A Phylogenetic Tree May 2007 -- Posts 12 - 20
The Bottleneck -- More Branches
Year Zero and Beyond June-July 2007 -- Posts 21 - 55
More Examples -- The Missing Link -- From 000000 to 000001 -- Music Degree Zero? -- Blow Ye Winds of Morning -- Battle of the Maps -- A Phylogeographical Study, A Cantometric Table and a Yellow Bell
Our Story so Far -- an Overview July 2007 -- Posts 56 - 62
The Power of Music July 2007 -- Posts 63 - 75
The links will take you to the first post of each section. To continue with the next post in the same section, select "Newer Post" on the bottom left.
Introduction May 2007 -- Posts 1 - 11
Music in Year One -- Some Examples
A Phylogenetic Tree May 2007 -- Posts 12 - 20
The Bottleneck -- More Branches
Year Zero and Beyond June-July 2007 -- Posts 21 - 55
More Examples -- The Missing Link -- From 000000 to 000001 -- Music Degree Zero? -- Blow Ye Winds of Morning -- Battle of the Maps -- A Phylogeographical Study, A Cantometric Table and a Yellow Bell
Our Story so Far -- an Overview July 2007 -- Posts 56 - 62
The Power of Music July 2007 -- Posts 63 - 75
The Great Kalahari Debate
The Power of Cantometrics August 2007 -- Posts 76 - 82
Cultural Equity Aug. - Oct. 2007 -- Posts 83 - 98
Are Indigenous Cultures Frozen in Time? -- The Double Standard -- The Lesson for Today
Music of the Great Tradition Oct. 2007 - Aug. 2008 -- Posts 99 - 159
Gamelan -- Georgia -- Europe -- Hocket -- Drone -- Dudki
The Pygmy/Bushmen Nexus July 2009 -- Posts 161 - 171, 173
African Offshoots -- A Comprehensive Musical System
Articles Now Available for Download July 2009 -- Post 172
Music and Cultural Evolution July 2009 -- Posts 174 - 181
An Overwhelming Question Aug. 2009 -- Posts 182 - 194
Utopia, Then and Now Aug.-Sept. 2009 -- Posts 195 - 200
Deconstructing the Postmodern Condition Sept. 2009 -- Posts 201 - 224
L'Affaire Turnbull -- Myth and Counter-Myth -- Tradition
The Baseline Scenarios Oct. 2009 - Jan. 2010 -- Posts 225 - 278
Conjure -- The Baseline -- Hunter-Gatherers -- The Migrants -- The Gap -- The Migration -- The Event -- Questions
The Power of Cantometrics August 2007 -- Posts 76 - 82
Cultural Equity Aug. - Oct. 2007 -- Posts 83 - 98
Are Indigenous Cultures Frozen in Time? -- The Double Standard -- The Lesson for Today
Music of the Great Tradition Oct. 2007 - Aug. 2008 -- Posts 99 - 159
Gamelan -- Georgia -- Europe -- Hocket -- Drone -- Dudki
The Pygmy/Bushmen Nexus July 2009 -- Posts 161 - 171, 173
African Offshoots -- A Comprehensive Musical System
Articles Now Available for Download July 2009 -- Post 172
Music and Cultural Evolution July 2009 -- Posts 174 - 181
An Overwhelming Question Aug. 2009 -- Posts 182 - 194
Utopia, Then and Now Aug.-Sept. 2009 -- Posts 195 - 200
Deconstructing the Postmodern Condition Sept. 2009 -- Posts 201 - 224
L'Affaire Turnbull -- Myth and Counter-Myth -- Tradition
The Baseline Scenarios Oct. 2009 - Jan. 2010 -- Posts 225 - 278
Conjure -- The Baseline -- Hunter-Gatherers -- The Migrants -- The Gap -- The Migration -- The Event -- Questions
Babel Jan. 2010 -- Posts 279 - 285
Aftermath Jan. - Feb. 2010 - Posts 286 - 310
Friday, August 6, 2010
327. Some Thoughts on Evolution, Natural and Cultural: 11
One of the things that distinguishes Pygmy and Bushmen singing from literally all other indigenous music is the extraordinary degree of cooperative integration required, to the extent that everyone participating must be aware of what everyone around them is doing. And, since everyone present is expected to participate, it seems clear that all members of each band must be "gifted" with musical awareness and skill well beyond what might be expected of the average individual in just about any other society. The extraordinarily open, resonant, relaxed and effortlessly fluid qualities of Pygmy and Bushmen voices have astonished many musical professionals in our own society. Such abilities are, amazingly enough, widely shared among just about all members of any given band. In this case, we are not talking about the remarkable musical abilities of a small number of unusually "gifted" individuals, but of the society as a whole.
While elements of P/B style can be found in both the vocal and instrumental music of indigenous peoples in many other parts of the world, in most such cases the degree of spontaneous integration is much less. Typically, such music is performed by especially selected individuals, who must carefully rehearse before presenting their music to the rest of the group, usually as part of a ritual associated with a particular time of year or special occasion (e.g., harvest, planting, initiation, funeral). Among Pygmies and Bushmen such performances occur spontaneously, on a daily basis.
It might be tempting to dismiss the special musical aptitudes of these populations as a coincidence, a quirk of nature with no further significance. However, as I have demonstrated, it is precisely the Pygmies and Bushmen of Africa whose lineages are consistently associated, in study after study, with the deepest branches of the human family tree. And on the basis of this evidence, coupled with the musical evidence, I've been able to produce a "Hypothetical Baseline Culture" (HBC), representing the culture of our common ancestors, based on evidence drawn from traditions held in common by various Pygmy and Bushmen groups. (See Post 226 et seq.)
Therefore, unless I am mistaken (always possible), our Most Recent Common Ancestors would very likely have had more or less the same remarkable musical aptitudes as today's Pgymies and Bushmen. Which suggests that musical ability might indeed have provided a powerful adaptive advantage during the earliest stages of human history. But what could that advantage have been?
(to be continued . . . )
While elements of P/B style can be found in both the vocal and instrumental music of indigenous peoples in many other parts of the world, in most such cases the degree of spontaneous integration is much less. Typically, such music is performed by especially selected individuals, who must carefully rehearse before presenting their music to the rest of the group, usually as part of a ritual associated with a particular time of year or special occasion (e.g., harvest, planting, initiation, funeral). Among Pygmies and Bushmen such performances occur spontaneously, on a daily basis.
It might be tempting to dismiss the special musical aptitudes of these populations as a coincidence, a quirk of nature with no further significance. However, as I have demonstrated, it is precisely the Pygmies and Bushmen of Africa whose lineages are consistently associated, in study after study, with the deepest branches of the human family tree. And on the basis of this evidence, coupled with the musical evidence, I've been able to produce a "Hypothetical Baseline Culture" (HBC), representing the culture of our common ancestors, based on evidence drawn from traditions held in common by various Pygmy and Bushmen groups. (See Post 226 et seq.)
Therefore, unless I am mistaken (always possible), our Most Recent Common Ancestors would very likely have had more or less the same remarkable musical aptitudes as today's Pgymies and Bushmen. Which suggests that musical ability might indeed have provided a powerful adaptive advantage during the earliest stages of human history. But what could that advantage have been?
(to be continued . . . )
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment